The Indie Audiobook Productions Blog

At some point during audiobook production, one of the considerations for indie authors is: “Should I go exclusive… or wide?” Terms like 'exclusive' don’t exactly help, and make this sound more complicated than it needs to be. “Exclusive.”“Wide distribution.”“Royalty structures.”“Platform agreements.” It all sounds very serious and slightly threatening. So let's simplify it for you.

Many Indie Authors at some point in the publishing process, run into a request for tax information. This can be an intimidating barrier to publishing. Let's untangle this unnecessary complication for you.

Concerned about Audible’s new royalty model? Some creators are describing it as a positive step forward. Others are deeply worried about what it means for long-term audiobook income, especially for indie authors and narrators working under royalty share agreements. So what’s actually changing? What does Audible says the benefits are? Why are some creators are concerned?What indie authors should realistically think about before jumping into royalty share deals.

Have you discovered that not every Indie Authors' country can publish directly through ACX? Don't panic! The important thing to know is that not being eligible for ACX does not mean you can’t publish your audiobook to Audible or other retailers. It simply means you may need a slightly different distribution route. So let’s simplify what’s actually happening and what your options are.

Once indie authors decide to produce an audiobook, the next question is usually: “Right… where exactly do I publish it?” And this is normally the point where things become confusing. You’ll be seeing names and terms like: ACX Audible Voices by INaudio Spotify Kobo aggregators exclusive distribution wide distribution …and before long it can feel like you accidentally enrolled in a publishing law degree. The good news? The basics are actually fairly simple once the jargon

The audiobook industry has changed significantly over the last few years - not just in how audiobooks are distributed, but in how they’re produced, discovered, and listened to. New platforms have entered the market, AI narration has arrived, Spotify has become a major player, and authors now have more choices than ever before. That sounds like good news - and in many ways, it is. But it’s also left a lot of authors understandably confused.

Spotify’s new short audiobook programme opens the door for indie authors - but can AI voices really deliver the emotional punch listeners love?

Market your audiobook before it's finished! Use audio teasers, QR codes & community engagement to build buzz and attract listeners.

Audiobook rights determine who has the authority to produce, distribute, and profit from the audiobook version of your book.

How you’re going to get your audiobook in front of listeners. The world of audiobook distribution offers several platforms.

Indie author M.A. McCrackin reflects on her audiobook journey - the challenges, the lessons learned, and the joys of hearing her story come to life. If you’re considering audiobook production for your own book, her insights offer a valuable glimpse into the process.